In the 19th century a mysterious woman named Adele H. crosses the ocean, from Europe to North America, to relentlessly pursue a handsome officer that denies her satisfaction.
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Befriended by aristocrat Sebastian Flyte, Oxford student Charles Ryder finds that the power and privilege experienced by the family is seductive. On a visit to the ancestral home, Brideshead, he falls in love with his friend's sister, Julia. However, as his ties to the Flytes deepen, Ryder finds himself at odds with their strong Roman Catholicism.
Marta works for a poll company, listening all day to other people's dreams while leading a cold and solitary life. Having just cut off a long relationship, she tries an online sex chat under an alias, meeting a man who begins to advance more and more audacious requests, until they decide to discover their respective identities.
Sam Clayton's marriage to ex-stripper Freddie comes about when she's strong-armed into the match by Red, a club proprietor who once did her a favor. But Freddie falls in love with Jjaks, Sam's brother, and the pair tries to escape the situation together. It isn't long before both Sam and Red catch up with them, resulting in threats against the two of them -- although tension also starts to build between Sam and Red.
A nuclear war specialist returns from a mission gathering data on Soviet communications and electronic warfare techniques in the Arctic Ocean to find that his flat has been broken into and mysteriously re-decorated.
Rawang, an immigrant from Bangladesh living in awful conditions, takes pity on a Chinese man, Hsiao-kang, who is beaten up and left in the street. Rawang lovingly nurses him on a mattress he found. When he is almost healed, Hsiao-kang meets the waitress Chyi. His love for Rawang is put to the test.
Although based on a novel by Georges Simenon, director (and songwriter) Serge Gainsbourg has superimposed several dark emotions and a subtle brutality over the weak plot about a man's trip to Africa and his unfortunate passion for a murderess whose amorality sends the disillusioned fellow back to Europe. Sometimes described as frustrating and self-centered, reactions to this film swing across a broad spectrum of complaints -- not the least might be whether or not Gainsbourg is using a clichéd and stereotypical view of "dark Africa" to convey what he sees in his characters.
