Travis and his sister, Whitney, visit their grandparents for the summer and fall through a magical portal which transports him to the world of American hero Paul Bunyan and his big, blue, talking ox, Babe.
Budget: 0
Ten short pieces directed by ten different directors, including Ken Russell, Jean-Luc Godard, Robert Altman, Bruce Beresford, and Nicolas Roeg. Each short uses an aria as soundtrack/sound, and is an interpretation of the particular aria.
The terrible and trecherous Pendragon plans to gain the throne of Cornwall by getting the king to abdicate and to marry his lovely daughter. To help him he has his dreadful witches in his castle and his almost unstoppable sorcery. A giant under his control abducts the princess, but on the way home with her the giant meets farming lad Jack who slays him. This is only the beginning.
Flora, a genie trapped for more than 2,000 years inside an antique jewelry box, is accidentally called to service by Bernard, whose life is unraveling around him.
Hawk the Slayer, after seeing both his father and bride die at the hands of his malevolent brother, Voltan, sets out for revenge and the chance to live up to his title. Tooling himself up with the "mind-sword" and recruiting a motley band of warriors — a giant, a dwarf, a one-armed man with a machine-crossbow, and an elf with the fastest bow in the land — Hawk leads the battle against Voltan to free the land from the forces of evil and avenge his loved ones.
While producing a reality TV show, a teenager meets a magician whose powers are real but put him in danger.
After the acclaimed Met premiere of Thomas Adès's "The Tempest" in 2012, the composer returned with another masterpiece, this time inspired by filmmaker Luis Buñuel's seminal surrealist classic "El Ángel Exterminador", during the 2017–18 season. As the opera opens, a group of elegant socialites gather for a lavish dinner party, but when it is time to leave for the night, no one is able to escape. Soon, their behavior becomes increasingly erratic and savage. The large ensemble cast tackles both the vocal and dramatic demands of Adès's opera with one riveting performance after another. Tom Cairns, who also penned the work's libretto, directs an engrossing and inventive production, using a towering wooden archway to trap the characters onstage. And Adès himself takes the podium to conduct the frenzied score, which features a host of unconventional instruments, including the eerie electronic ondes Martenot.
